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Barbara Sparti, Antiquity as Inspiration in the Renaissance of Dance The Classical Connection and Fifteenth-Century Italian Dance (1993).pdf [2]
Barbara Sparti, ‘Artistic’ Theory of Dance in Fifteenth-Century Italy (2003).pdf [3]
Barbara Sparti, Breaking down Barriers in the Study of Renaissance and Baroque Dance (1996).pdf [4]
Barbara Sparti, Hercules dancing in Thebes, in pictures and music (2007).pdf [5]
Barbara Sparti, The 15th-Century ‘balli’ Tunes A New Look (1986).pdf [6]
Barbara Sparti, The Function and Status of Dance in the Fifteenth-Century Italian Courts (1996).pdf [7]
Corti Gino, Cinque balli toscani del Cinquecento (1977).pdf [8]
David Sanchez, Cano Dances for the Royal Festivities in Madrid in the Sixteenth and Seventeenth Centuries (2005).pdf [9]
David Wilson, ‘Contrapassi’ in Fifteenth-century Italian Dance Reconsidered (2006).pdf [10]
Jeanice Brooks, 16th-century French secular music (2003).pdf [11]
Jennifer Nevile, Cavalieri’s Theatrical ‘Ballo’ and the Social Dances of Caroso and Negri (1999).pdf [12]
Jennifer Nevile, Cavalieri’s Theatrical Ballo ‘O che nuovo miracolo’ A Reconstruction (1998).pdf [12]
Jennifer Nevile, ‘Certain Sweet Movements’ the Development of the Concept of Grace in 15th-Century Italian Dance and Painting (1991).pdf [13]
Jennifer Nevile, Dance and the Garden Moving and Static Choreography in Renaissance Europe (1999).pdf [14]
Jennifer Nevile, Dance in Early Tudor England An Italian Connection (1998).pdf [15]
Jennifer Nevile, Dance Patterns of the Early Seventeenth Century The Stockholm Manuscript and Le Ballet de Monseigneur de Vendosme (2000).pdf [16]
Jennifer Nevile, ‘Rules for Design’ Beauty and Grace in Caroso’s Choreographies (2007).pdf [13]
Jennifer Thorp, A fascination with French dance (2009).pdf [17]
Jennifer Thorp, In defence of danced minuets (2003).pdf [18]
Jennifer Thorp, Mr. Isaac, Dancing-Master (2006).pdf [19]
Jennifer Thorp, ‘So Great a Master as Mr Isaac’ an exemplary dancing-master of late Stuart London (2007).pdf [20]
Jennifer Thorp, The Menuet de la cour ‘a dance to be reckoned with’ (2008).pdf [21]
Kathryn Lowerre, A ballet des nations for English audiences Europe’s revels for the peace of Ryswick (1697) (2007).pdf [22]
Ken Pierce, Dance notation systems in late 17th-century France (1998).pdf [23]
Mauro Lo Monaco and Sergio Vinciguerra, God Save the Double (2006).pdf [24]
Mauro Lo Monaco and Sergio Vinciguerra, The passo doppio and the contrapasso in the Italian balli of the Fifteenth Century Problems of Mensuration and a Conjectural Reconstruction (2005).pdf [25]
Michael Talbot, Dancing with the German Lullists (2010).pdf [26]
Pamela Jones, Spectacle in Milan Cesare Negri’s Torch Dances (1986).pdf [27]
Peter Allsop, Da camera e da ballo — alla francese et al italian (1998).pdf [28]
Peter Walls, English courtly dance (2001).pdf [29]
Tilden Russell, The Minuet According to Taubert (2006).pdf [30]
Yvonne Kendall, Theatre, dance and music in late Cinquecento Milan (2004).pdf [31]